Writer: John Layman
Artists: Jason Fabok, Andy Clarke
Collects: Detective Comics (2011) #13-18
Chew made me a fan of John Layman, so I was interested when I heard he would be taking over the New 52 volume of Detective Comics after Tony Daniel left. The two volumes of the book prior to this had been middling at worst and merely okay at best, leaving a book that didn't have much to offer and hadn't even managed to distinguish itself yet. Unfortunately, the third volume doesn't get the chance either, so we're stuck waiting to see if volume four can pull it out.
Part of the problem is that the first couple of years of Batman in the New 52 were dominated by what Scott Snyder was doing in the flagship book. I don't necessarily mean that in terms of status quo changes, which is fine, but in tie-ins. It seems like every story Batman did through Zero Year saw the line saddled with tie-ins. With some, it was fine. The Night of the Owls tie-ins were a single issue. At worst, it was a brief break between story arcs. Death of the Family, meanwhile, ends up involving itself in several issues, leaving the writer to have to do something related.
It's worked in about as well as you could expect. The main story of the volume, involving a Penguin henchman getting froggy and seizing his empire, takes a backseat for a couple of issues, allowing that to gestate in the background while Joker copycat gangs make some noise in Gotham. The henchman only has the chance to begin with because Joker scares the piss out of Penguin and forces him to assist the clowns latest scheme. I'm not averse to that. It's Gotham. There's going to be overlap sometimes.
The thing I take issue with is that it's not exactly explained enough. Penguin just exits the book for a couple issues a third of the way through, handing everything off to the henchman to look after until he returns. We don't know what Joker asked of him or why he has to hang in Arkham for a bit, just that, judging by the way he's pissing himself after meeting with Joker, he doesn't exactly have much choice. The worst kind of tie-in is the one that interrupts another story, but doesn't explain or give context to the elements that bleed in. It's one thing to work in a tie-in to your story. It might even be the best way. But almost expecting that you've read the other is off-putting. I expect at least enough distance and explanation so I can read it on its own without wondering what was so important a character suddenly blew dodge, allowing the crux of the story to even happen.
Otherwise, it's a perfectly fine comic. Not quite the immediate knockout I'd thought or hoped, but we seem to be playing the long game here anyway. The Emperor Penguin story has only just kicked into gear by the end of the volume, so we'll see where it goes. I do hope something a bit more exciting happens going forward, though. Much of this volume is either playing set-up or involves a lengthy tie-in. It looks nice, though, thanks to the presence of Jason Fabok on art.
If nothing else, Emperor Penguin is better than the preceding volumes and may lead to better things, so we'll see how it shakes out. For now, I'd say it's worth a look if you can find it in the library.
My Opinion: Try It
Showing posts with label John Layman. Show all posts
Showing posts with label John Layman. Show all posts
Saturday, May 13, 2017
Friday, April 20, 2012
Chew - Volume One : Tasters Choice (comics)
Writer: John Layman
Artist: Rob Guillory
Collects: Chew #1-5
When it first started, this was probably the internets favorite creator-owned book. The critics favorite too. It's won a few awards and is probably on the way to many more. I'm here to tell you that it deserves every one of them.
Tony Chu has a special ability. He's Cibopathic, meaning he gets psychic impressions from whatever he eats. As the book explains, it means when he bites into an apple, he can tell the tree it was picked from, the pesticides used on it and the date of its harvesting. It also means if he chows down on a bit of a dead body, he can find out who killed the person, with what and where it was done. Did I mention he's a detective? You can see how this would come in handy; you know, aside from the disgusting parts like eating a bit of a dead dog.
This book is utterly unique from top to bottom. From the premise to the artwork to the humor, you simply won't find anything like it on shelves. This is one of those books that just nails it right off. It's fun, it's funny, it's fairly gross and it has a lot of heart. This is a book that has absolutely everything going for it.
It doesn't take long for the book to hook you. By the end of the first issue, it's easy to fall in love with this world and this cast of characters. Chu lives in a strange world with stranger things happening to him, but he's very likable, as is his partner Mason. It's why the events of the volume, including the last issue, hit as well as they do. We get a reveal that, under normal circumstances, I'd argue was a bit too soon for an ongoing series; but by this point Layman has painted a vivid enough world with characters diverse enough that it still works all the same. That's pretty impressive.
Even the art's a winner. Admittedly, there were some bits that took some getting used to, but the artwork in Chew is a thing all its own. By the end of the volume, I was a convert; and I didn't hate it to start with. I couldn't picture the book looking any other way. It's exagerrated and - loathe as I am to say this, as it's often taken in a negative context - cartoony, but it combines with bright colors to paint a vivid picture. The gross out humor and things Chu is forced to eat would not work in a more realistic style; here, the color and the style take some of the disgusting edge off, leaving a palatable sense of icky humor I imagine even those with relatively sensitive stomachs could take.
I simply cannot rave enough about this book; John Layman and Rob Guillory have a real winner on their hands.
The Score: 9 out of 10
Buy it. Seriously, just buy it. After one volume, this has quickly wormed its way into my heart. It may be my favorite creator owned series not written by Brian K. Vaughn. The lost point comes from the art taking a bit of getting used to, but once you do you won't be able to picture the book any other way. I'm definitely on board this book now and in the future. I highly recommend Chew.
Artist: Rob Guillory
Collects: Chew #1-5
When it first started, this was probably the internets favorite creator-owned book. The critics favorite too. It's won a few awards and is probably on the way to many more. I'm here to tell you that it deserves every one of them.
Tony Chu has a special ability. He's Cibopathic, meaning he gets psychic impressions from whatever he eats. As the book explains, it means when he bites into an apple, he can tell the tree it was picked from, the pesticides used on it and the date of its harvesting. It also means if he chows down on a bit of a dead body, he can find out who killed the person, with what and where it was done. Did I mention he's a detective? You can see how this would come in handy; you know, aside from the disgusting parts like eating a bit of a dead dog.
This book is utterly unique from top to bottom. From the premise to the artwork to the humor, you simply won't find anything like it on shelves. This is one of those books that just nails it right off. It's fun, it's funny, it's fairly gross and it has a lot of heart. This is a book that has absolutely everything going for it.
It doesn't take long for the book to hook you. By the end of the first issue, it's easy to fall in love with this world and this cast of characters. Chu lives in a strange world with stranger things happening to him, but he's very likable, as is his partner Mason. It's why the events of the volume, including the last issue, hit as well as they do. We get a reveal that, under normal circumstances, I'd argue was a bit too soon for an ongoing series; but by this point Layman has painted a vivid enough world with characters diverse enough that it still works all the same. That's pretty impressive.
Even the art's a winner. Admittedly, there were some bits that took some getting used to, but the artwork in Chew is a thing all its own. By the end of the volume, I was a convert; and I didn't hate it to start with. I couldn't picture the book looking any other way. It's exagerrated and - loathe as I am to say this, as it's often taken in a negative context - cartoony, but it combines with bright colors to paint a vivid picture. The gross out humor and things Chu is forced to eat would not work in a more realistic style; here, the color and the style take some of the disgusting edge off, leaving a palatable sense of icky humor I imagine even those with relatively sensitive stomachs could take.
I simply cannot rave enough about this book; John Layman and Rob Guillory have a real winner on their hands.
The Score: 9 out of 10
Buy it. Seriously, just buy it. After one volume, this has quickly wormed its way into my heart. It may be my favorite creator owned series not written by Brian K. Vaughn. The lost point comes from the art taking a bit of getting used to, but once you do you won't be able to picture the book any other way. I'm definitely on board this book now and in the future. I highly recommend Chew.
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